| Infinity Digital Media Camcorder |
Infinity DMC – Model Numbers DMC 1000/10 and DMC 1000/20 |
| General |
| Power |
DC 15V (11.0V to 17.0V)
Consumption during record standby 45W, with active imaging, view finder, compression, buffer, and lens; Consumption while recording 49W, while recording to REV PRO |
| Temperature range |
Operating: 0°C to 40°C ( 32°F to 104°F); Storage: -20°C to 60°C (-4°F to 140°F) |
| Humidity range |
10 to 90% (relative humidity) |
| Weight |
5 kg (11 lbs.) without viewfinder, 5.7 kg (12.6 lbs.) with HD CRT viewfinder |
| Dimensions |
240 mm (H) x 150 mm (W) x 330 mm (L) without lens and battery |
| Camera Part |
| Lens mount |
2/3" bayonet type |
| Optical system |
F1.4 prism |
| Optical filters |
Motorized: clear, 1/4 ND, 1/16 ND, 1/64 ND |
| Color-correction filters |
Electronic: 3200K, 4700K, 5600K, 7500K, 2 AWB presets and continuous auto-white,
Variable color temperature: 2200°K to 20000°K in 10°K steps |
| Pickup device |
3 x 2/3" full HD Xensium CMOS imagers |
| Digital processing |
22-bit accurate processing |
| Exposure |
Electronic exposure down to 1/2000 sec |
| Video mode |
576i/480i |
1080i/720p |
1080p |
| Temporal frequencies |
50/59.94 Hz |
50/59.94 Hz |
23.98/25/29.97 Hz |
| Gain |
-6 dB to +42 dB in 3 dB steps (user-definable presets) and variable master gain between -6 dB and +17.9 dB in 0.1 dB steps |
| Aspect ratio |
16:9, 4:3, and letterbox |
16:9 |
| Sensitivity |
2000 lux (186 footcandles) at F8 typical |
| S/N ratio in Y signal |
61 dB typical |
54 dB typical |
| Modulation depth |
70% at 5 MHz in luminance (Y) signal (16:9) |
50% at 800 TV lines (27 MHz) in luminance (Y) signal |
| Audio |
20 Hz – 20 kHz unweighted, 24 bits PCM, 48 kHz, dynamic range 85 dB |
| Compression |
| DV25 |
Both PAL (4:2:0) and NTSC (4:1:1) |
| JPEG 2000 |
SD |
HD |
| 10-bit, 4:2:2 |
10-bit, 4:2:2 |
| 30-, 40-, 50 Mb/s |
50-, 75-, 100 Mb/s |
| MPEG-2 (requires the DMC 1120 MPEG-2 option board) |
SD |
HD |
| 8-bit, 4:2:2 (VBR) and D10, 4:2:2 (CBR) |
8-bit, 4:2:0 |
| 30-,40-, 50 Mb/s, I-Frame |
60 and 80 Mb/s I-Frame and 18, 25, 35, and
50 Mb/s Long GOP |
| File Formats |
| High-quality content |
MXF OP-1A (SMPTE 378M), including 4 channels of PCM audio and metadata |
| Metadata definition |
Compatible with SMPTE Metadata Dictionary RP210 |
| Built-In Storage |
| REV PRO |
REV PRO 35 digital media drive (DMC 1000/10) or REV PRO XP/ER digital media drive (DMC 1000/20) |
| CompactFlash |
2 x Type I and II CompactFlash slots, speed depending on media |
| Camcorder Connectors |
| Front microphone input |
XLR-3 female, balanced +48V
XLR-5 female, balanced +48V phantom (requires DMC 1180 option) |
| Rear audio inputs |
2 x XLR-3 female, mic-/line-level, balanced, +48V selectable |
| Additional audio inputs |
AES/EBU or embedded (HD-)SDI audio via BNC and 2 channels via wireless receiver slot |
| Audio output |
XLR-5 male, line-level, 2-channel mixed balanced 6.3 mm stereo jack earphone |
| Additional audio outputs |
AES/EBU or embedded (HD-)SDI 2-channel audio via BNC |
| Lens connector |
12-pin female Hirose |
| Viewfinder connector |
HDMI type A connector |
| (HD-)SDI input |
BNC, SMPTE 292M (1.5 Gb/s) or SMPTE 259M (270 Mb/s), 0.8 Vp-p, 75Ω |
| (HD-)SDI output |
BNC, SMPTE 292M (1.5 Gb/s) or SMPTE 259M (270 Mb/s), 0.8 Vp-p, 75Ω |
| Analog video input |
BNC, CVBS, blackburst, linear time code or AES/EBU audio, 1.0 Vp-p, 75Ω |
| Analog video output |
BNC, CVBS, linear time code or AES/EBU audio, 1.0 Vp-p, 75Ω |
| DC 15V in |
XLR-4 male (11.0V to 17.0V) |
| DC 12V out |
4-pin Hirose, 12V (11.0V to 17.0V) 1A with tally signal |
| IT Connectivity |
| Ethernet |
1 x RJ-45, control and file-transfer connectivity (1 x RJ-45 streaming for future release) |
| USB |
2 x USB A host, 1 x USB B device |
| IEEE 1394 |
6-pin IEEE 1394 connector |
| Supplied accessories |
User's Guide, eye piece cover, and one piece of REV PRO media |
