1 SD/HD input, 2 SD/HD outputs
Format Support Types: High-definition, standard-definition
Connections: SD/HD SDI, analog component (Y-Pb-Pr), DVI-D, composite
Recording Format: Grass Valley HQ, 4:2:2
Bit Rate: Up to 200 Mb/s
Resolutions SD/Frame Rate: 720x576i50, 720x486i59.94
Resolutions HD/Frame Rate: 1920x1080i59.94, 1920x1080i50, 1440x1080i59.94, 1440x1080i50, 1280x720p59.94, 1280x720p50, 1920x1080p24, 1920x1080PsF24, 1920x1080p23.98, 1920x1080PsF23.98, 1440x1080p24, 1440x1080PsF24, 1440x1080p23.98, 1440x1080PsF23.98
Format Support Types: High-definition, standard-definition, computer
Connections: SD/HD SDI (one for each playback channel), analog component, DVI-D (one for each playback channel, except RGB), composite
Playback Format (Native Import/Playback):
- XDCAM – HD422*, HD (35 Mb/s)*, HD (25 Mb/s and 18 Mb/s), IMX, DVCAM
- XDCAM EX – HD (35 Mb/s)*, HD (25 Mb/s), DVCAM
- P2 – AVC-Intra 100**, AVC-Intra 50**, DVCPRO HD, DVCPRO 50, DVCPRO 25, DV
- GF – HD I-Frame only (100 Mb/s)*, HD Long GOP (50 Mb/s)*, DVCPRO 50, DVCPRO 25, DV, MPEG-2
- MXF – Grass Valley HQ, AVC-Intra 100, AVC-Intra 50, DVCPRO HD, DVCPRO 50, DVCPRO 25, DV, D10, JPEG 2000, MPEG-2
- AVCHD – H.264/AVC**
- AVI – Grass Valley HQ
Bit Rate: Up to 200 Mb/s per channel
Resolutions SD/Frame Rate: 720x576i50, 720x486i59.94
Resolutions HD/Frame Rate: 1920x1080i59.94, 1920x1080i50, 1920x1080p24, 1920x1080PsF24, 1920x1080p23.98, 1920x1080PsF23.98, 1280x720p59.94, 1280x720p50, 1280x720p24, 1280x720p23.98
Computer Resolutions: 1280x1024, 1024x768, 800x600, 640x480
Analog Audio: 2 channels, XLR connections
Digital:
- AES/EBU (2 channels), BNC connections
- Embedded audio on SDI, HD or SD (8 channels)
Recording Format: 24-bit, PCM, 48 kHz sampling (20-bit PCM for SD-SDI)
Analog Audio: 2 channels per output video, XLR connections
Digital:
- AES/EBU (2 channels), BNC connections
- Embedded audio on SDI, HD or SD (8 channels)
Recording Format: 24-bit, PCM, 48 kHz sampling (20-bit PCM for SD-SDI)
Import: Grass Valley HQ
Export: Grass Valley HQ, MXF (XDCAM format)
Transcode Import (transcoding to Grass Valley HQ AVI):
- AVCHD (H.264/AVC)
- AVI (Grass Valley HQX, DV, DVCPRO 25, DVCPRO 50, DVCPRO HD, uncompressed)
- GF (DV, DVCPRO 25, DVCPRO 50, MPEG-2)
- MPEG-2
- MXF (Grass Valley HQ, AVC-Intra 50, AVC-Intra 100, D10, DV, DVCPRO 25, DVCPRO 50, DVCPRO HD, JPEG 2000, MPEG-2)
- P2 (DV, DVCPRO 25, DVCPRO 50, DVCPRO HD, AVC-Intra 50, AVC-Intra 100)
- QuickTime (Grass Valley HQ, Grass Valley HQX, DV, DVCPRO HD, H.264/Canon EOS 5D, ProRes422, ProRes 4444, JPEG 2000, animation, MPEG-4, Photo JPEG, PNG, uncompressed)
- Windows Media (Windows Media Video)
- XDCAM (DV, IMX, MPEG-2)
- XDCAM EX (MPEG-2)
- Sequenced files (TGA ,BMP, JPG, TIFF, PNG, and GIF)
Protocol: BVW (Basic), GPI, AMP (Advanced Media Protocol) for Indigo A/V Mixer and external control software
Connections: RS-422 (9-pin D Conn per channel), Ethernet
Connections: Gigabit Ethernet, USB 2.0, VGA, DVI-D
Storage Capacity: 1 TB (RAID-10, 500 GB HDD x4), Approx. 14 hours of HD @ Grass Valley HQ (150 Mb/s)
Bit Rate: Up to 200 Mb/s per channel
Dimensions: 550x430x140 mm (21.6x16.9x5.5 in.)
Weight: 15 kg (33 lbs.)
Operating Temperature: 5°C to 35°C (41°F to 95°F)
Rackmount Kit
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May 30, 2013
San Francisco, Calif., May 30, 2013 — Grass Valley will be exhibiting its latest innovations in end-to-end live production workflows at InfoComm 2013, 12-14 June, Florida. Visitors to the Grass Valley booth (#5659) will be able to see live demonstrations of its switchers, media server and client solutions, and cameras, designed to enable content creators ranging from broadcasters, corporations, universities, entertainment and hospitality venues, and houses of worship (HOW), to cost-effectively produce, deliver and manage live content across multiple distribution platforms.
October 18, 2012
San Francisco, Calif., October 18, 2012 — At this year's CAPER 2012 show in Argentina, Grass Valley® will highlight its latest innovations in file-based live (and edited) production and distribution. The company's new high-definition (HD) cameras, editing systems, media servers, and super slow-motion replay systems—all shown as part of a series of fully integrated, hands-on demonstrations— provide users the ability to work in multiple video formats. This makes return on investment fast and easy, while enhancing the user's ability to work with a wider variety of clients.